Tag Archives: screenwriting

A Blog Suffers When You’re Trying to Make a Movie

I knew it has been a while since my last blog post, but I didn’t realize that today marks two months exactly since I last posted. Yikes. My apologies to anyone that has been anxiously waiting for my next post. (I’m aware that with that last sentence I’ve subjected myself to crickets chirping throughout the internet kingdom.)

I’m proud to say there’s a good reason why I haven’t been actively contributing to this beloved blog: I’ve been writing. Yes, I’ve been hard at work feverishly working on a new feature screenplay that was designed to be affordable enough to make myself on a shoestring budget. I’m ecstatic with the results and am proud to say it’s been my fastest turnaround on a feature yet. I wrote the first draft in two weeks and am already finished a solid rewrite. You wanna hear what it’s about? (I’m smiling and nodding at the computer like Natalie Portman in Garden State when she asks if Zach Braff wants to help her bury her dead hamster.)

Here’s a synopsis of my newest, coolest feature screenplay, a slasher/comedy entitled Die, Hipster! Die!:

When a group of pretentious college hipsters anger a gypsy fortune teller with their shallow youth culture, she summons James Mean, the Patron Saint of Cool from Hell to wipe out their hipster house party. It’s up to Luke and Brea, the only non-hipsters in attendance, to put a stop to this demon’s Crusade for Cool and to prove that there are still young people with character in this age of Wayfarers and Pabst Blue Ribbon.

Screenplay and log line experts of the internet community please don’t rip my way-too-long synopsis to shreds! I like it. But anyway, it’s a super cool, really funny, pretty hip, and original script that I’m proud to be moving forward with. Some Philadelphia actors love it and I’ve even gotten it into the hands of a few local producer types.

Major problem is money of course. I hoped to just start filming it this month and crowd raise funds as I went but of course, my ambition might have overshadowed my means a little, but only slightly. I’m going to get my “ducks in a row” as one producer mentioned and try to do this right. Who knows, it could be my The Evil Dead!

I’ve had a pretty good, productive journey writing and rewriting this thing. I started Transcendental Meditation in January (something I wanted to start blogging about but didn’t get around to) and I have to say I’ve noticed an increase in my productivity and problem solving when it comes to my writing. I can’t chalk my success with this screenplay completely up to TM, I feel like this moment was coming for a while. But there has to be something said about Die, Hipster! Die! being the quickest feature I’ve written post-meditation.

I was so excited to get up every day with a solid plan of attack: shower, meditate, and write. And not just blindly writing; I knew exactly what I should do next. Now, I have pretty close to what my finished product will look like and I’m in a writing rut. I want to write something! This whole process has been like riding yet another high wave that drops me off on the shoreline, leaving me to watch it roll back into the sea. That’s a feeling I’m used to and an analogy I beat into the sand. But hopefully, with a little help from TM, I can limit my turnaround time of how long I stand on the shore before paddling back out into the water.

This blog post starts up the writing process again. I’ve got a lot of work ahead of me making DH!D! a reality on the movie screen. It’s an exciting process that I’m looking forward to. But there’s no reason I can’t be writing the next script in the meantime. As Robert Rodriguez advises in his book Rebel Without a Crew, “be scary.” Constantly working, constantly be moving ahead on your next big idea, always being original; that is frightening. Be scary, my friends. Keep writing.

 

If Writing is Rewriting then I’m finally a Writer

I’ve always been a tad perplexed by the age old writing advice that “writing is rewriting.” “No great writer ever penned a masterpiece in his rough draft,” writing experts would say. This may be soothing advice for the many times I’ve completed a screenplay and while beaming with pride, I’d suddenly have my dreams of Hollywood schmoozing and houses in the hills ripped away when I read what I’d written and realized it was mostly just a heap of (insert whatever foul smelling waste you can think of here).

Although I was comforted in those lonely, depressing moments of supposed personal failure by the idea that I could always rewrite, fix the problem; the fact is that my track record shows I rarely get passed the thrill of writing a first draft, meeting the characters and learning their ways, and onto the hair-pulling, eye-gouging editing process that is required to polish a story into something worth selling.

Until now…

Friends, family, peers, fellow writers, and Hollywood execs everywhere, I’m proud to inform you that I have a rewritten feature-length screenplay on my hands. This one is different from the other attempted rewrites I’ve done in the past. This time I actually fixed what I set out to revise, added scenes where I deemed necessary, and molded existing pages into well-crafted works.

“How the hell did you do that, Greg Probst?” you might be screaming at your computer but probably not since you may not have any clue who I am. (I’m the author of this blog.)

But I’ll tell you anyway; this monumental milestone in my writing career comes after months of going back to the basics. I’d studied and read about how to plan, write, and format a screenplay for years when I was a teenager and realized I wanted to write movies. Since then I considered myself an old pro, writing away and leaving hard drives and floppy discs (yes I used those religiously when I first started writing and well after they went technologically extinct) full of over a hundred or more aborted screenplays; some with 5-10 pages, some with 30-60, others well exceeding the 120-page feature limit, all needing additional work that would never come.

So I analyzed my writing methods and even picked up the very first book I read as a 13-year-old lad to get started, Skip Press’ The Complete Idiot’s Guide to Screenwriting. I reread sections on outlining before writing, keeping a writing schedule, and tips on rewriting. So I started keeping a writing schedule and zeroed in on a few top scripts that needed work or finishing.

As of today I have one feature nearing completion and another that is successfully rewritten and being looked over for polishing. It feels like I’m a real live writer.

So what’s next for old Greg “The Writer” Probst? Probably years and years of writing and mastering the craft with hopefully some success in between.